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PELHAM HIGH SCHOOL LIBRARY MEDIA CENTER
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--------------------------- Plagiarism Report Generated by EVE 2.4 5/19/2006 2:03:56 PM --------------------------- Document:
Z:\plagiarism\Detail of the Sistine Chapel.doc Amount of document
detected to be plagiarized: 93.78 Please Note: You
should always check EVE's results carefully to make sure they are accurate. Matching material
was found on these sites: http://find-artist.com/Q/Michelangelo'; http://answerbus.coli.uni-sb.de/cgi-bin/answerbus/answer.cgi?Who%2Bpainted%2Bthe%2Bceiling%2Bof%2Bthe%2BSistine%2BChapel%3F'; http://www.timelineindex.com/content/view/568'; http://answerbus.coli.uni-sb.de/cgi-bin/answerbus/answer.cgi?who%2Bbuild%2BThe%2BSistine%2BChapel%3F'; Student essay with
matching content underlined for easy detection: Michelangelo
painted the ceiling of the Sistine Chapel from 1508
to 1512, commissioned by Pope Julius II. On becoming pope in 1503,
Julius II reasserted papal authority over the Roman barons and successfully
backed the restauration of the Medici in Florence.
He was a liberal patron of the arts, commissioning Bramante to build St Peter's
Church, Michelangelo to paint the Sistine Chapel, and Raphael to decorate the
Vatican apartments. ceiling of the
Sistine Chapel in Vatican City Sibyls were female
seers of ancient Greece and Rome.
They were also known as oracles. Like the Jewish prophets of the Old Testament,
many sibyls had their sayings recorded in books. Jewish prophets spoke unbidden,
whereas sibyls tended to speak only if consulted on specific questions.
They sometimes answered in riddles or rhetorical questions. He is one of the greatest
artists of all time, a man whose name has become
synonymous with the word "masterpiece": Michelangelo Buonarroti. As an artist he
was unmatched, the creator of works of sublime beauty that express the full
breadth of the human condition.
Yet in a world where art flourished only with patronage,
Michelangelo was caught between the conflicting powers and whims of the Medici
family in Florence, and the Papacy in Rome.
Unlike many artists of his time, his genius was recognized, but at
what cost to his personal life? |
Elizabeth
Strauss, Media Generalist
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